Monday, March 2, 2026

INFERNO, Canto XIV, illustration 3 (alternate version)

Title: His head is made of gold; of silverwork
his breast and both his arms, of polished brass
the rest of his great torso to the fork.

He is of chosen iron from there down,
except that his right foot is terra cotta;
it is this foot he rests more weight upon.

Every part except the gold is split
by a great fissure from which endless tears
drip down and hollow out the mountain's pit.

15.5 x 10.875 inches
acrylic paint and collage on found paper
March 2, 2026



Friday, February 27, 2026

INFERNO, Canto XIII, illustration 1 (alternate versions)

Title: Here nest the odious Harpies of whom my Master
wrote how they drove Aeneas and his companions
from the Strophades with prophecies of disaster.

12.25 x 10.625 inches
acrylic paint and collage on found paper
February 27, 2026




Tuesday, February 24, 2026

INFERNO, Canto X, illustration 2 (alternate version)

Title: My eyes were fixed on him already. Erect,
he rose above the flame, great chest, great brow;
he seemed to hold all Hell in disrespect.

12.25 x 10.875 inches
acrylic paint, collage, and watercolor on found paper
February 24, 2026



Monday, February 23, 2026

INFERNO, Canto IX, illustration 2 (alternate version)

Title: ...all at once three hellish and inhuman
Furies sprang to view, bloodstained and wild.
Their limbs and gestures hinted they were women.

15.5 x 10.75 inches
acrylic paint and collage on found paper
February 23, 2026



Sunday, February 22, 2026

INFERNO, Canto XXVIII, illustration 4

Title: I saw it there; I seem to see it still --
a body without a head, that moved along
like all the others in that spew and spill.

It held the severed head by its own hair,
swinging it like a lantern in its hand;
and the head looked at us and wept in its despair.

10.875 x 15.5 inches
acrylic paint and collage on found paper
February 22, 2026



Saturday, February 21, 2026

INFERNO, Canto XXVIII, illustration 3

Title: And one among them with both arms hacked through
cried out, raising his stumps on the foul air
while the blood bedaubed his face…

12 x 8.75 inches
acrylic paint and collage on found paper
February 21, 2026




Friday, February 20, 2026

INFERNO, Canto XXVIII, illustration 2

Title: Another -- he had his throat slit, and his nose
slashed off as far as the eyebrows, and a wound
where one of his ears had been -- standing with those

who stared at me in wonder from the pit,
opened the grinning wound of his red gullet
as if it were a mouth...

12 x 8.75 inches
acrylic paint, collage, and watercolor on found paper
February 20, 2026



Tuesday, February 17, 2026

INFERNO, Canto XXVIII, illustration 1

Title: Behind us, warden of our mangled horde,
the devil who butchers us and sends us marching
waits to renew our wounds with his long sword

when we have made the circuit of the pit;
for by the time we stand again before him
all the wounds he gave us last have knit.

10 x 12.25 inches
acrylic paint, ink, and watercolor on found paper
February 17, 2026



Saturday, February 14, 2026

INFERNO, Canto XXVII, illustration 4

Title: And so it left, and we
crossed over to the arch of the next fosse

where from the iron treasury of the Lord
the fee of wrath is paid to the Sowers of Discord.

9.25 x 10.875 inches
collage, graphite, and ink on found paper
February 14, 2026




Sunday, February 8, 2026

INFERNO, Canto XXVII, illustration 3

Title: "Later, when I was dead, St. Francis came
to claim my soul, but one of the Black Angels
said: 'Leave him. Do not wrong me. This one's name

went into my book the moment he resolved
to give false counsel.'"

12.25 x 10.75 inches
acrylic paint, collage, ink, and watercolor on found paper
February 8, 2026



INFERNO, Canto XXVII, illustration 2

Title: "Polenta's eagles brood
over her walls, and their pinions cover Cervia. 
The city that so valiantly withstood

the French, and raised a mountain of their dead,
feels the Green Claws again. Still in Verrucchio
the Aged Mastiff and his Pup, who shed

Montagna's blood, raven in their old ranges.
The cities of Lamone and Santerno
are led by the white den's Lion, he who changes

his politics with the compass."

12.25 x 10 inches
acrylic paint on found paper
February 7, 2026